Antipodean Nocturne | Extinction
2018 Moving image/video single channel MP4 No. 1 in edition of 7 07:00 minutes Through a dramatic sfumato effect, this work explores our relationship with the Australian landscape. Filmed from a rainforest eyrie overlooking the Pacific Ocean, the video and audio were recorded on a hot, humid and stormy summer night… thunder, lightning, the love calls of cicadas… elemental forces at play as the planet warms… a potent display of nature. Over the duration of the work, text is gradually introduced to a cataclysmic storm - a list of Australian animals extinct since European arrival in 1788.
$5,750
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Finalist Heysen Prize, Hahndorf Academy, South Australia 2018
Anna Glynn
Extinction Game - Norfolk Island Kaka
2020
Pencil and watercolour on Stonehenge 250gsm paper
95 x 62cm unframed / 120 x 80cm framed
'Extinction Game - Norfolk Island Kaka’ reimagines a historical portrait of an extinct Norfolk Island Kaka, surviving in captivity until 1851. The parakeet perches, a losing player.
The black and white chess board expresses the ‘game’ of survival.
Anna Glynn
Extinction Coat of Arms
2020
Pencil, watercolour and acrylic on Stonehenge 250gsm paper
210 x 127cm / 220.5 x 137cm
Coat of Arms framed under Museum Perspex (99% UV & 99% reflection control)
Anna Glynn
Extinction Game – Red-Crowned Parakeet
2020
Pencil and watercolour on Stonehenge 250gsm paper
95 x 62cm unframed / 120 x 80cm framed
'Extinction Game - Red-Crowned Parakeet’ reimagines a historical portrait of an extinct Australian bird. This parrot was endemic to Lord Howe and is extinct since 1870.
The black and white chess board may refer to a game, to burnt and unburnt, to race, to colonial floorcloths, to finance (the French escheker), to ‘checkered’ alternations of good and bad.