Dingo Walks on Water
Photomontage (no. 3 in edition of 7) 64 x 100 cm
$ 4,500 (framed)
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References: I make the connection between myself living within this landscape, the historical past and the tenuous present. I include my own watercolour interpretation of Stubbs painting of a Dingo into a historical mashup, playing with imagery and history to create a new narrative. My connection with my catholic upbringing seeps through to portray a native Australian animal, the dingo, gliding effortlessly upon the glassy pink water. Mountains and sky are inverted in our upside-down antipodean land, connected to a European aesthetic and interpretation of landscape, flora and fauna.
Anna Glynn
Extinction Game - Norfolk Island Kaka
2020
Pencil and watercolour on Stonehenge 250gsm paper
95 x 62cm unframed / 120 x 80cm framed
'Extinction Game - Norfolk Island Kaka’ reimagines a historical portrait of an extinct Norfolk Island Kaka, surviving in captivity until 1851. The parakeet perches, a losing player.
The black and white chess board expresses the ‘game’ of survival.
Anna Glynn
Extinction Coat of Arms
2020
Pencil, watercolour and acrylic on Stonehenge 250gsm paper
210 x 127cm / 220.5 x 137cm
Coat of Arms framed under Museum Perspex (99% UV & 99% reflection control)
Anna Glynn
Extinction Game – Red-Crowned Parakeet
2020
Pencil and watercolour on Stonehenge 250gsm paper
95 x 62cm unframed / 120 x 80cm framed
'Extinction Game - Red-Crowned Parakeet’ reimagines a historical portrait of an extinct Australian bird. This parrot was endemic to Lord Howe and is extinct since 1870.
The black and white chess board may refer to a game, to burnt and unburnt, to race, to colonial floorcloths, to finance (the French escheker), to ‘checkered’ alternations of good and bad.