Lost Species - A Folly, Pied Butcherbird in Mourning
2022 Moving image/video single channel MP4 No. 1 in edition of 7 03:52 minutes Glynn has animated and fractured her large-scale drawing ‘Extinction Coat of Arms’ depicting a reimagined Australian Coat of Arms into a kaleidoscopic folly, referencing colonial wallpapers. All of the Australian fauna portrayed are extinct. A layered soundscape includes field recording of the Pied Butcherbird remixed with ‘'Solecism' by composer Scott Buckley.
$4,750
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Finalist Martin Hanson Memorial Art Awards 2022
Anna Glynn
Extinction Game - Norfolk Island Kaka
2020
Pencil and watercolour on Stonehenge 250gsm paper
95 x 62cm unframed / 120 x 80cm framed
'Extinction Game - Norfolk Island Kaka’ reimagines a historical portrait of an extinct Norfolk Island Kaka, surviving in captivity until 1851. The parakeet perches, a losing player.
The black and white chess board expresses the ‘game’ of survival.
Anna Glynn
Extinction Coat of Arms
2020
Pencil, watercolour and acrylic on Stonehenge 250gsm paper
210 x 127cm / 220.5 x 137cm
Coat of Arms framed under Museum Perspex (99% UV & 99% reflection control)
Anna Glynn
Extinction Game – Red-Crowned Parakeet
2020
Pencil and watercolour on Stonehenge 250gsm paper
95 x 62cm unframed / 120 x 80cm framed
'Extinction Game - Red-Crowned Parakeet’ reimagines a historical portrait of an extinct Australian bird. This parrot was endemic to Lord Howe and is extinct since 1870.
The black and white chess board may refer to a game, to burnt and unburnt, to race, to colonial floorcloths, to finance (the French escheker), to ‘checkered’ alternations of good and bad.